PDF Ebook The New New Journalism: Conversations with America's Best Nonfiction Writers on Their Craft
PDF Ebook The New New Journalism: Conversations with America's Best Nonfiction Writers on Their Craft
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The New New Journalism: Conversations with America's Best Nonfiction Writers on Their Craft
PDF Ebook The New New Journalism: Conversations with America's Best Nonfiction Writers on Their Craft
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From Publishers Weekly
Boynton uses the clunky moniker "new new journalism" to describe a group of reporters today who write article- and book-length examinations of their subjects, often pioneering new reporting techniques (such as Adrian Nicole Leblanc's trick of leaving her tape recorder with her subjects when she went home as a way of getting them to open up without her around--a method that worked to wonderful effect in her Random Family). Yet, Boynton points out, these writers also stay true to strict journalistic standards, unlike Tom Wolfe and the New Journalists, whose creative narrative methods broke all the rules. Many of the reporters Boynton highlights are also motivated by an activist impulse that informs but never overpowers their work. Boynton, the director of New York University's magazine journalism program, offers a nuts-and-bolts approach to understanding the way these reporters write, interviewing them on the smallest of details, such as how they organize their notes, what color pens they use and how they set ground rules with sources who aren't media savvy. Featuring lengthy discussions with star scribes such as William Langewiesche (American Ground) and Michael Lewis (Moneyball), this batch of discussions is a gold mine of technique, approach and philosophy for journalists, writers and close readers alike. (Mar.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From Booklist
*Starred Review* Building on the tradition of literary journalism--from nineteenth-century writers Lincoln Steffens and Stephen Crane through Tom Wolfe and Norman Mailer--the latest practitioners continue to apply keen skills of social observation and to enjoy public acclaim that promises continued support for this predominantly American craft. Boynton offers interviews with 19 writers who detail how and why they produce their work: Alex Kotlowitz tends to stumble onto his subjects, Jon Krakauer hates interviewing people in restaurants, Leon Dash refuses to become emotionally involved with his subjects, Jane Kramer appreciates the stylistic prose of literary nonfiction writers, Richard Preston is mechanically inept and prefers to take notes rather than use a tape recorder, and Ron Rosenbaum prefers the typewriter to the computer. Interviewees also include Gay Talese, William Finnegan, Susan Orlean, and Lawrence Weschler. Boynton asks the writers how they get their ideas, conduct their research and interviews, and begin the writing process as well as their takes on the future prospects for literary journalism. A fascinating book that makes the reader want to go out and get every book the writers have written as well as those mentioned as sources of inspiration. Vanessa BushCopyright © American Library Association. All rights reserved
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Product details
Paperback: 496 pages
Publisher: Vintage (March 8, 2005)
Language: English
ISBN-10: 140003356X
ISBN-13: 978-1400033560
Product Dimensions:
5.2 x 1 x 8 inches
Shipping Weight: 12.8 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
20 customer reviews
Amazon Best Sellers Rank:
#183,579 in Books (See Top 100 in Books)
Fascinating look into some of my favorite authors. Read really smoothly and quickly. Enjoyable if you find narrative non-fiction an interesting subject.
Great thoughts in here from great journalists. Bought the book for a class. If you are interested in narrative writing, I would recommend it.
This book is basically just a lot of nonfiction writers getting interviewed about how they write. It ranges from how they specifically wrote some of their greatest books to how they just write in general. It's a great book because all of the writer's have very different approaches. It has helped me find out how I like to write.
This is a great idea, to present some of the best new, new journalism folks around. I did not read all 19 author interviews word for word (some I skimmed), but found all of them enlightening. It was interesting to see the different answers/passions expressed by the writers to standard questions such as do you prepare a list of questions, do you prefer face-to-face to phone or e-mail interviews, etc. Each writer proved why she or he does what they do so well. It is for folks who like getting more from what they read; it reads like a behind-the-scenes piece, or sounds one of those director's commentaries on a DVD. Easy to pick up, leave for a while and pick back up again.
The book gives interviews with several well known writers about how they conduct interviews, follow-up leads and create stories. Their individual methods, styles and subject vary so it's a kind of cross the board look. It was interesting but I'm not sure really helpful.
This book is a collection of interviews conducted on innovative writers. It's vaguely interesting if journalism is your thing. I think it could definitely benefit from having some excerpts from the authors work. This would at least provide a frame of reference for the interview.
If you love journalism, you will devour this one.
I loved this collection of interviews with journalists, which I read across several months. Each question-and-answer transcript is prefaced by an informative, well-written summary of the writer and their most remarkable works. I already knew many of the writers quoted here, and their works, but I think I got something out of every conversation.None was more satisfying, though, than the Q+A with Richard Ben Cramer, an author who is notable for spending an astounding six years working on 'What It Takes: The Way To The White House'. This is a thousand-page book about the presidential candidates for the 1988 election that was published in 1992, after he had conducted more than one thousand interviews: for instance, he spent a year reporting on the candidates' lives before the campaign, interviewing their friends and family, before he ever stepped onto a campaign bus.The entire Cramer Q+A is worth the price of admission alone, because his sense of humour really shines through. And I loved this quote of his in its entirety: "A book ought to alter the reader's life, add to the reader's life, in some fundamental way. You have a compact with the reader that if he gives you the time then something will be better for him. His understanding will increase, an emotional satisfaction will ensure, a cathartic experience will take place. A book has to make something happen. A newspaper story informs, a magazine article entertains, and a book has to move you."There are many other great interviews, including with writers such as Jon Krakauer, Lawrence Wright, Susan Orlean, Gay Talese and Michael Lewis. Ted Conover is here, too, and I think by coupling this book with Conover's 2016 title 'Immersion: A Writer's Guide To Going Deep', any writer will be well-equipped with the wisdom and inspiration required to do the sort of in-depth, long-form writing that I find so appealing. When done well, I think it is among the most pleasurable forms of storytelling known to human expression, and this book showcases the creative process of some of its best practitioners.
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